Hi

Damn, it’s really been six years since I got this blog.

I originally started this in the hopes that it would revive the energy and enthusiasm I had for writing about pop music that I had when I was in high school, but Life™ got in the way and I ended up abandoning it with several drafts and unfinished ideas. I kept the domain in the hopes that someday I’d come back but I had little hope.

But here I am! I have opinions again! I have the smallest bit of enthusiasm for pop music! I enjoy idols again! I haven’t felt like this in a long time so I’m hoping to keep up this momentum. Maybe I’ll have a new years resolution or something and actually post instead of saying i’m enthusiastic about blogging again and then leaving for 6 years.

In the past six years, i’ve grown to like a lot more music, and listen to bands and singers in genres I’d never imagined I’d be a fan of. I’ve met great people through shared musical interests, been to concerts and lives and shows, been back and forth between the US and Japan 3 times, and have had incredible opportunities related to the music industry.

Sometimes I fear I’ve become too cynical to enjoy the things I liked when I was a teenager, but then I’m introduced to a group or artist that brings me back to being 15 years old listening to songs while I chatted with friends on MSN messenger or played games.

I thought I had fallen out of love with idols as I watched the Japanese music industry favor alternative idols and then Kpop, only to realize that I was looking in the wrong place. Groups I thought I could never get into again due to my favs leaving have stolen my heart again and I’m listening to the same music I did back in 2012, and I’m having so much fun.

Since this will absolutely be my first and last post of 2024, here’s a list of my top 10 jpop songs of the year, in no particular order:

  • FancyLabo – Sugar Sugar
    • I was lukewarm on Night Tempo produced idol unit FancyLabo’s earlier tracks, but something about this track grabs my attention and doesn’t let go.
  • FRUITS ZIPPER – BABY I LOVED
    • Every other musician and idol trying to emulate the distinctive sound of 80s pop music is missing one thing: the Stock-Aitken-Waterman driving beat, but this song has it and instantly jumped to the top of my favs
  • GOOD BYE APRIL – Yoake no Ressha ni Tobinotte
    • While the song was released late 2023, I didn’t discover it til after my trip to Japan earlier this year. Another song from a group trying to emulate the sounds of yesteryear, GOOD BYE APRIL’s 2024 releases have done nothing but impress
  • iScream – Shiny Shiny
    • While I was disenchanted with a lot of mainstream Jpop’s steady transition to a Kpop inspired sound, I am still not immune to a good pop song.
  • XAMIYA – RON
    • A surprise appearance from a song i listened to entirely on a whim from my Youtube Recommendations, both of XAMIYA’s songs made a strong showing and have me looking forward to seeing what else the project makes.
  • Lucky Kilimanjaro – Kemonomichi Hei ga Odoru
    • While LK’s releases this year didn’t impress me as much as the last year’s Kimochy Season album, this was absolutely the standout from this year’s two sister EPs.
  • De De Mouse & Milk Talk – Beautiful Criminal
    • Another random youtube recommendation, this song immediately jumped into my top ten most listened to songs of the year and I find new favorite tracks every time I go back through Milk Talk’s discography
  • MONO NO AWARE – Onaji Kama
    • The best part of having good friends is recommending music to each other and helping to influence each other’s tastes. I had listened to MONO NO AWARE’s 2019 album and wasn’t impressed, but something about the theming and sound of their 2024 entry The Buffet really captured me
  • Wednesday Campanella – Carolina
    • Suikan’s whimsical and nonsensical songs about personifying random things are some of my favorite, and Carolina’s chili pepper family reunion is no different
  • Mega Shinnosuke – Ai to U
    • Megashin was another artist whose previous album became my whole personality, but subsequent works didn’t impress me until this single dropped earlier this year. Ran is also adorable so seeing her in the thumbnail of the MV always brightens my day.

So there you have it. An update on my life and some of my favorite songs of the year.

In 2025 I hope to write more and hopefully loosen up a bit from my earlier entries on this blog. It’ll be a learning experience for everyone.

Happy new year!

Album Review: Tsubaki Factory – first bloom

 

It has been a very very long time since I have last reviewed an album. I believe the last thing I reviewed for any blog was either AKB48’s Team B 4th Stage (which I reviewed shortly after it came out, long before I really understood or liked AKB the way I did at their peak), or it was Wakeshima Kanon’s 2nd album. I don’t feel like checking my old blogs and I can’t even remember what they were called, so don’t quote me on that and please don’t find receipts because I do not need that.

However, with the advent of the new direction H!P has taken since 2015, introducing a total of 6 new groups and utilizing their trainees in a way i wouldn’t have thought possible in 2006, as well as with Tsunku retiring as the main producer of H!P to give more creative freedom to the other writers and composers that UF has to offer, I’ve been very interested to see what kind of direction the other groups will go in. Tsubaki Factory has been the most successful of these groups, with all of their singles performing well in the charts, as well as receiving tieups and decent promotion (especially for UF standards), so I’m interested to see what kind of music this album offers.

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Idols 101: Overview

The concept of Idol as a performer in Japan has been around for more than half of the last century, and during that time the definition of what makes an idol has changed vastly. From the secretive solo performers of the 70s and 80s to today’s ‘alternative’ idols like BiSH and Necronomidol, idols have been a staple of Japanese entertainment in some way or another for longer than we realize.

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